Daylight

The Kingdom Bible Study design system — olive & brass on paper-white, Archivo for the instrument, Literata for the Word. Every specimen below reads the live tokens from assets/css/style.css.

Color

Paper--color-bg
Surface--color-surface
Ink--color-text
Olive · primary--color-primary
Brass · accent--color-accent
Ember · red letter--color-ember
Muted--color-muted
Subtle surface--color-surface-subtle
Sidebar panel--sb-bg

Olive is the laurel — interactive primary. Brass is the lampstand — secondary accents, verse numbers, counts. Ember belongs to the words of Christ and is never used for errors (semantic red stays separate). Toggle the site theme to see the Evening values.

Type

Archivo carries the instrument — headings, nav, buttons, data.

16“For God so loved the world that He gave His one and only Son, that everyone who believes in Him shall not perish but have eternal life.” 17For God did not send His Son into the world to condemn the world, but to save the world through Him.

Literata carries scripture and long-form prose (--font-body). Verse numbers are brass Archivo superscripts; the words of Christ are ember; tagged terms carry a one-pixel dotted rule in a muted tone — study markup stays on without shouting.

Buttons

One system: olive primary, hairline secondary, brass ghost. No other button styles.

Tabs

VerseNotesConnections

The single tab pattern for every surface — Explore hub, Discipline hub, modal, topic tiers.

Biblepedia category badges — field set

Person Place Concept Event Name Father Motif Type Region

Card

Verse of the day

“Your word is a lamp to my feet and a light to my path.”

Illuminated Commentary

The capstone per-book Commentary tier (/topics/<book>/commentary.html) — "illuminated-on-paper": Daylight's paper-white ground kept, with gilt hairline ornaments, an ember rubric section head, a Literata-900 drop cap, and warm parchment-tinted witness panels. No new font. Full styles in assets/css/commentary.css.

The Appeal for OnesimusPhilemon 1:8–16

Paul does not command; he appeals. The apostle who could order Philemon to his duty chooses instead to bind him with love — sending back the runaway slave Onesimus not as property but as “a beloved brother,” and staking his own account against the debt.

Voices on this section
John Chrysostom eastern reads Paul's tact as the very art of Christian persuasion — grace, not compulsion, is what wins a brother.